原文作者:Will Freeman 譯者:Megan Shieh

Moomin(姆明一族)又叫:嚕嚕咪一家、小肥肥一族、姆明谷。它是一個由Tove Jansson及Lars Jansson於1940年創作的故事,原本Tove是想創作出一個醜陋古怪的精靈來取笑她的弟弟Lars,想不到他們逗趣而可愛的模樣贏來了滿天滿地的粉絲。



因爲當時Snowfall本身不是遊戲開發商,所以他們創立了JamRun Adventures Oy,並委託當地的工作室Indium以他們的名義來開發一款遊戲。

這個遊戲就是後來在移動設備上發佈的《Moomin Adventures: Jam Run》,而它發佈後的反響很不錯。

Moomin Adventures: Jam Run(from

Moomin Adventures: Jam Run(from






Snowfall首席執行官Natasha Trygg認爲,這意味着有一個全新、龐大的客戶羣和潛在市場正在等待挖掘。

這位首席執行官說:“我必須強調我們不是在爲小朋友做遊戲,這一點非常重要。”她目前正帶領着團隊在開發一款名爲《Moomin Under Sail》的手遊。
















The Moomin’s world as it appeared in the original novels and comics was rather distinct in atmosphere from the saccharine energy of the popular 1990s animation most non-Finns associate with the IP in the first instance.

Go back to Jansson’s books, and you’ll find a place that is eerie, dark, and steeped in both grumpy gloom and carefree optimism.

And it is capturing that tone that has seen games developer Snowfall secure €1 million in funding, as the team embarks on developing games using the IP.

It all started for the team after a conversation in the winter of 2014, where Snowfall’s three founders became convinced there was untapped potential in making games based on what the Moomins really were. Many had tried it before, but the Finnish national treasures were still waiting for a game worthy of their popularity.

Not being developers themselves, the founders formed JamRun Adventures Oy, and commissioned local studio Indium to build a game on their behalf.

That game was mobile release Moomin Adventures: Jam Run, and it did well. Having tested the appetite for Moomin games, the studio rebranded as Snowfall, and began fundraising in early 2016.
Before rebranding as Snowfall, the founders formed JamRun Adventures Oy and commissioned the Indium-developed Moomin Adventures: Jam Run

While it’s still too early to call the endeavour an absolute success, with one game nearing release, and two more Moomin titles underway, Jansson’s creation is certainly keeping the Snowfall team busy.

Working with just one external IP, however, isn’t an everyday way to find mobile gaming success. So why commit to a single family of hippo-nosed trolls?

A cultural institution

Today, the Moomin brand is huge. While it has long served as a cultural institution in its homeland, presently Moomins are wildly loved across the world, and particularly in Asia. They are the stars of a huge merchandising operation, and continue to grow in popularity. And that, believes Snowfall CEO Natasha Trygg, means there is a new, vast audience and potential market.

“On the creative side, I have to say we are not making games for kids,” says the CEO, who is currently leading a team working on mobile gameMoomin Under Sail.

“That’s very important. What we are doing is more like Pixar and so on. So basically we are taking the Moomin’s actual nature, and Tove’s black humour, and Moominpappa getting drunk on Whiskey, and we are putting all that into our games. There are conversations in the Moomins that can be really dark, and we will have them in the game.

“Our work is kid friendly, of course. It’s three-plus, basically. But those kids won’t always get everything. It’s the same with Disney. Some of the Disney stuff kids won’t get until they’re old enough. So we make games for adults. Many Moomin fans grew up with the Moomins, and they have this nostalgia for them, and know what they are.”

The team at Snowfall are currently working on new mobile game Moomin Under Sail

There’s also an opportunity, Trygg believes, in the misunderstanding of the brand. Most, she says, see Moomins as ‘cute little marshmallows’.

“There’s so much more to them,” Trygg insists. “Tove made this whole world that is so colourful, with really unique characters, and that is what Snowfall focuses on.”

Working with an external IP, though, means obeying the rules of the brand holder. Moomin Characters, which owns the property, has several edicts. Moomins can never die. They can never do harm. They must never be violent.

“Think about it. Making a game with no violence isn’t easy,” Trygg asserts.

Making IP work

But it is here that the opportunity for savvy mobile developers exists, Trygg believes. As has been proved many times throughout the history of video games, a good licensed IP does not guarantee a good or successful game. For that, you need good game designers.

“There is a bit of a separation between making a good game, and knowing a brand,” states Trygg, whose PHD looked at copyright and ownership.

“You need game designers and somebody who knows how to make good games, and then there is the IP and the restrictions with how you use the brand.”

And, for the Snowfall team, working within restrictions is what keeps their work at a high enough standard.

“As an artist, I love original IP and all that, but also, when you have full freedom you can get lost,” she explains.

“So you have to set your own boundaries. Here at Snowfall we have made it sometimes easy, with the Moomin restrictions. We know what we can do, and we know what we cannot do. We work within those boundaries. And if we want to do something different, we can negotiate with Moomin Characters.”

As well as leading developer Snowfall, CEO Natasha Trygg is also a keen artist

Time and again, Trygg highlights what great collaborators Moomin Characters the company is, and there perhaps Snowfall is lucky. But as the CEO and her colleagues ponder more Moomin mobile releases, they are claiming much wider potential.

“The holders of the Moomin brand hold so many other brands,” Trygg concludes. “That’s almost the whole point. And we have a very close collaboration with them. We have built a trust. It has been proven from the business side that we work well with their IP. It won’t be an issue to work with more IPs from the same IP holder.”

For Snowfall, at least, their future may well be filled with more than one IP. For now, though, it is focusing on one property that provides them with that prospect. (Source:  )